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Trend Setting Movie Posters of 1920’s Russia

Six Girls Seeking Shelter, 1927. Russian Avant-garde movie posters by brothers Vladimir and Georgii Stenberg. Trend Setting Movie Posters of 1920's Russia

Six Girls Seeking Shelter, 1927. Russian Avant-garde movie posters by brothers Vladimir and Georgii Stenberg. Trend Setting Movie Posters of 1920’s Russia

Trend Setting Movie Posters of 1920’s Russia
Undoubtedly, the innovative and revolutionary duo, brothers Vladimir and Georgii Stenberg, left an undeniable mark on design history. Growing up in Moscow during a time of huge upheaval, their talented quickly established them as members of the avant-garde during the 1920s and early 1930s. Indeed, their movie posters are incredible in their innovative visual aspects. In particular, using elements of Dada photo-montage, implied motion, an exaggerated scale, distorted perspectives and a dynamic use of color and typography. Unlike most posters of the era, the brothers often used stills from the featured film collaged into the works. It was a style, quickly imitated by others.

Cement, 1928. Russian Avant-garde movie posters by brothers Vladimir and Georgii Stenberg

Cement, 1928. Russian Avant-garde movie posters by brothers Vladimir and Georgii Stenberg

The brothers worked together for a nine-year period (1924 – 1933), creating a huge catalogue of work, before Georgii was killed riding his motorcycle. Vladimir continued work on film posters, ultimately organizing the decorations for the 1947 May Day celebration in Moscow’s Red Square.

Trend Setting Movie Posters of 1920’s Russia

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