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20. Heba Abdel Fattah. Fragment from the ballet ‘Giselle’. Bolshoi Theatre, 1998 (left). The new image of Nefertiti. Striving for the ideal femininity (right)

Heba Abdel Fattah. Fragment from the ballet 'Giselle'. Bolshoi Theatre, 1998 (left). The

Heba Abdel Fattah. Fragment from the ballet ‘Giselle’. Bolshoi Theatre, 1998 (left). The

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