Beauty icon Swedish actress Camilla Sparv
Beauty icon Swedish actress Camilla Sparv
It’s no exaggeration to say that Camilla Sparv is one of the most charming women ever living on planet Earth. Absolutely untypical for Hollywood movies (and movies in general), Camilla is the embodiment of exceptional femininity, a deep spiritual world and intellect peeping through the close material frames of her cinematic heroines.
The charm and femininity of Camilla are so invincible that it seems like she is a creature from another Galaxy, probably the Andromeda Nebula, accidentally visited our Milky Way. And to our great happiness, we can admire her beauty transferred to film. Undoubtedly, Camilla Sparv – absolutely incredible phenomenon in the world of cinema. The same as Audrey Hepburn. However, unlike Audrey Hepburn, Camilla was much less fortunate in the movies. And this is the great fault of myopic producers and directors, who indifferently passed by magic …
Born 3 June 1943 in Stockholm, Camilla Sparv is a Swedish and American model and film actress. Awarded the Golden Globe Award for Best Debute Actress in 1967 for her role in the film “Dead Heat on a Merry-Go-Round” (1966).
Among films with her participation are “Murderers’ Row” (1966), “Assignment K” (1968), “Nobody Runs Forever” (1968), “Mackenna’s Gold” (1969), “Downhill Racer” (1969), “Greek tycoon”, “Caboblanco” (1980), and Survival Zone (1983). Also, she starred in numerous TV series, like “Barnaby Jones”, “Love Boat”, “Fantasy Island”, “Air Wolf” and others.
In 1965, was briefly married to American producer Robert Evans. From the second marriage has two children. Since June 1994 in the third marriage with Fred Kolber.
In “Mackenna’s Gold” (1969) there is an acute sense of the strong indifference of her character (on which lies the imprint of Camilla’s personality) to the general mercantile fuss. Although the heroine expresses in the course of the film the desire to have a part of gold, but for some reason, she, very easy and quick gets rid of that idea. And the viewer believes her immediately and unconditionally. By the way, this gives, in spite of the illogicality of the action, additional charm to the film.