Russian Criminals Tattoo
Russian Criminals Tattoo
The tattoo for a long time has been used mostly for identification, or authentication. Meanwhile, tattoos contain more detailed information. In particular, its symbolism and plot demonstrates the spirit and inner world of the criminal, as well as specialization in a particular criminal case. And, most importantly, it demonstrates the place he holds in the criminal hierarchy.
So, if you decode these pictures on the body, they can tell a lot about the tastes of their carriers, and give some biographical information. Noteworthy, the Russian Criminal Tattoo Archive, founded by FUEL design group based in London in 2009, is a tattoo collection that comprises 739 original drawings by Danzig Baldaev and the photographs of Russian prisoners. The photographs taken by Sergei Vasiliev, born in 1937 in Chelyabinsk, Russia. FUEL – the Russian Criminal Tattoo Encyclopedia published in three volumes in 2003, 2006 and 2008 respectively. The books are part of the permanent collection of the Design Museum, London. Vasiliev photographed between 1989 and 1993 in prisons and reform settlements in Russia – Chelyabinsk, Nizhny Tagil, Perm and St. Petersburg.
Mikhail Kovanev, poet, artist and musician, was serving a sentence of fifteen years for murder. He claimed he was innocent of this charge. Every part of his body was covered with tattoos, many of his own design. The eyes on the stomach mean that he was a homosexual (the penis makes the ‘nose’ of the face). In the colony he became a drug addict and was subsequently killed.
Traditionally tattoos bearing images of Lenin and Stalin were usually tattooed onto the chest, it was a commonly held belief that Communist firing squads were not permitted to shoot at an image of their leaders. Text above Lenin reads ‘Wake up Ilyich (Lenin)’, above the tiger ‘They (criminals) are getting brazen’.
The tattoo on the shoulder of a spider in a cobweb can carry different meanings: if the spider is climbing up the web then the bearer of the tattoo is fully committed to a life of crime, if it is climbing down the wearer is attempting to break free of their criminal lifestyle.
This convict’s tattoos were applied in the camps of the Urals where the tattoo artists produce work of exceptional quality. Because they were so held in such high regard, criminals often attempted to be transferred there in order to be tattooed. The dollar bill on the shoulder signifies the bearer’s commitment to a life of crime.
This convicts apparently random tattoos denote his rank within the criminal world. They embody a thief’s complete ‘service record’, his entire biography, detailing all of his achievements and failures, his promotions and demotions, his ‘secondments’ to jail and his ‘transfers’ to different types of ‘work’. A thief’s tattoos are his ‘passport’, ‘case file’, ‘awards record’, ‘diplomas’ and ‘epitaphs’. In this world a man with no tattoos has no social status whatsoever. Across the chest ‘Death is not vengeance / the dead don’t suffer’. On the arms ‘I live in sin / I die laughing’. 1990. Corrective Labor Colony No.8.
Chelyabinsk Region.
Orthodox religious tattoos are still among the most popular among criminals today. The crucifix and the Madonna and Child, depicted in the Orthodox tradition of icon painting, meant ‘my conscience is clean before my friends’, ‘I will not betray’. The Madonna signified ‘prison is my home’ – that the wearer was a multiple offender and recidivist. The number of domes on the tattoo of a church indicates the number of convictions. If a dome was adorned with a cross, it meant that the sentence had been served in full. As well as being a totem of a pickpocket, the scarab beetle is considered to bring luck to the wearer, these are usually tattooed on the hands, rarely (as in this image) they appear on other parts of the body.
1990. General Regime Corrective Labor Colony No.5.
Chelyabinsk Region.
The tattoos across the eyelids read ‘Do not / Wake me’. The genie on the forearm is a common symbol of drug addiction. If an addict is imprisoned for drug offenses, he or she will have to go through withdrawal in the ‘zone’ (prison). Epaulette tattoos (on the shoulders) display the criminal’s rank in a system that mirrors that of the army (major, colonel, general etc).
1990. General Regime Corrective Labor Colony No.5.
Chelyabinsk Region.
This symbol of aggression and insubordination is often tattooed on the chest tattooed as if hung on a chain. The barbed wore on the forehead denotes that the bearer ‘will never be corrected’.
1991. Corrective Labor Colony No.5.
Nizhny Tagil, Sverdlovsk Region.
The scar on this criminals face is usually forcibly applied as a punishment to any convict who has informed or betrayed his fellow inmates. 1991. Strict Regime Corrective Labour Colony No.40.
Kungur, Perm Region.
1993. Strict Regime Forest Camp Vachel Settlement.
Penza Region.
The number of barbs on the wire equal the number of years in the sentence. The manacles on this prisoners wrist signify a sentence of five years or longer.
1992. Strict Regime Corrective Labor Colony No.12.
Nizhny Tagil, Sverdlovsk Region.
The bells on the feet indicate that he served his time in full (‘to the bell’), the manacles on the ankles mean that the sentences were over five years. ‘Ring’ tattoos on the fingers show the status of the criminal when the rest of his body is covered. The ‘thieves’ stars’ on the knees carry the symbolic meaning ‘I will not kneel before the police’.
1991. Strict Regime Corrective Labor Colony No.40.
Kungur, Perm Region.
Text across the chest reads ‘Son of the criminal world’. This photograph shows tattoos in a combination of old and new styles. In the ‘new’ style a large number of almost random images on the convict’s body. In the ‘traditional’ style there is one large central tattoo on the chest, filling as much space as possible.
1992. Strict Regime Corrective Labor Colony No.6.
Kopeisk, Chelyabinsk Region.
1989. Special Regime Corrective Labor Colony No.14.
Puksinka Settlement, Sverdlovsk Region.
Tattoos on the eyelids are made by inserting a metal spoon under the lid so that the ‘needle’ doesn’t penetrate the eye. Here the text reads ‘They’re / Sleeping’. It is common for this type of tattoo to personify the part of the body on which they appear, for example tattoos across the feet might say ‘They’re tired / of walking’.
1992. Corrective Labor Colony No.6.
Farnosovo, Chelyabinsk Region.
The eye signifies that the bearer is always on guard. The thieves cross tattooed on the knee means ‘I will not kneel before the police’.
1990. Corrective Labor Colony No.8.
Chelyabinsk Region.
A group of convicts imprisoned for drug-related crimes. Convict (left) on both arms: ‘I live in sin / I die laughing’. Images of demons and monsters are intended to intimidate other inmates and give significance to the bearer within his circle. Convict (centre) German text below the neck: ‘God with us’; on the left arm: ‘Hurry up and live’. The sailing ship on the forearm signifies a lust for freedom and that the bearer is a potential escapee. Convict (right) on upper arm: ‘Keep love’; on forearm: ‘KRAB’: Klyanus Rezat Aktivistov i Blyadey (I swear to kill activists and sluts). The rose on the shoulder means that the bearer turned eighteen in prison.
1991. Corrective Labor Colony No.5.
Nizhny Tagil, Sverdlovsk Region.
His ring tattoos signify he is a high-ranking thief and an anarchist, who ‘will never be corrected’. In this colony they make and sell wooden items that are in great demand. He was killed by his fellow inmates for refusing to contribute money to the ‘community kitty’.
1992. Strict Regime Corrective Labor Colony No.12.
San-Donato Station, Nizhny Tagil, Sverdlovsk Region.
Beetles, ants, cockroaches, bumblebees, flies, and spiders (without cobwebs) are the symbols of pickpockets. Palm tattoos carrying texts of brief threats and insults (‘Shut up, bitch!’, ‘Beat the party activists!’) were widespread in the late 1940s and mid 1950s.
1992. Isolation Cell Block No.1, Prison No.1.
The ‘Crosses’. St. Petersburg.
An authoritative, ‘legitimate’ thief. The tattoo on the chest is a portrait tattoo of a loved one, the text in the clouds left and right reads ‘Curse you Communists / for my wasted youth’. Text above reads ‘Give me freedom / I will become more honest’.
1991. Corrective Labor Colony No.40.
Kungur, Perm Region.
The knife through the neck shows that this criminal committed murder in prison and is available to hire for further murders. The drops of blood can signify the number of murders committed. The Latin text on the handle of the knife reads ‘As long as I breathe, I hope’.
1992. Corrective Labor Colony No.5.
Obukhovo, St Petersburg.
The fetters on the ankle signify a sentence of five years or longer, if they are broken it means the prisoner was on the run. The dagger through the fetter on the forearm symbolises revenge against the prosecutor.
1990. Strict Regime Corrective Labor Colony No.6.
Kopeisk, Chelyabinsk Region.
The turbaned man clutching a knife in his mouth indicates an inclination to brutality, sadism, and a negative attitude toward activists – prisoners who openly collaborate with prison authorities (also often a pirate). The Latin text on the shoulder reads ‘Remember your mortality’.
1992. Strict Regime Corrective Labor Colony.
Sosva, Sverdlovsk Region
German text across the chest reads ‘To each his own’. The SS insignia symbolizes aggression against the authorities. The Madonna and Child, depicted in the Orthodox tradition of icon painting, means ‘my conscience is clean before my friends’, and ‘I will not betray’.
1990. Strict Regime Corrective Labor Colony No.6.
Kopeisk, Chelyabinsk Region.
Russian Criminals Tattoo
In the early 1950s, it became customary for thieves to tattoo dots or small crosses on the knuckles, the number of dots indicating the number of terms. The punishment for the slightest attempt to position oneself as a legitimate or to wear an undeserved tattoo was severe. At best, the tattoo would be removed with sandpaper or a razor, but it was not uncommon for the offender to be raped or killed. Convicts were even punished for tattooing more dots on their hands than sentences they had served, or for wearing a ring tattoo with the symbol of a crime they hadn’t committed. German text on the top of his right arm reads ‘God with us’. Latin text on the forearm ‘Remember your mortality’. Text on the fingers of the left hand reads ‘BARS’: (literally ‘lynx, snow leopard’), Bey Aktiv, Rezh Suk (beat up activists, kill bitches); underneath this ‘No Salvation, No Happiness’.
1989. Strict Regime Corrective Labor Colony No.9.
Gorelovo Settlement, Leningrad Region.
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